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	<title>Comments on: The Language of Defeat and a challenge</title>
	<atom:link href="http://www.mysterybookspot.com/brianlindenmuth/?feed=rss2&#038;p=1117" rel="self" type="application/rss+xml" />
	<link>http://www.mysterybookspot.com/brianlindenmuth/?p=1117</link>
	<description>Kipple - Kipple is useless objects.  When nobody's around, kipple reproduces itself.</description>
	<pubDate>Thu, 09 Sep 2010 18:01:46 +0000</pubDate>
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		<title>By: Brian</title>
		<link>http://www.mysterybookspot.com/brianlindenmuth/?p=1117#comment-780</link>
		<dc:creator>Brian</dc:creator>
		<pubDate>Fri, 14 Aug 2009 19:40:18 +0000</pubDate>
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		<description>I love Sara Gran -- I hope she doesn't stay away too long.

It's interesting to see Robert Crais come up twice since I haven't met a book of his that I've liked yet.

Matt -- I love that you say you haven't learned to enjoy it yet -- that's a great outlook.  I remember you liking Money Shot by Christa Faust and I wonder if you would like Val McDirmid's books.  Just a thought really.</description>
		<content:encoded><![CDATA[<p>I love Sara Gran &#8212; I hope she doesn&#8217;t stay away too long.</p>
<p>It&#8217;s interesting to see Robert Crais come up twice since I haven&#8217;t met a book of his that I&#8217;ve liked yet.</p>
<p>Matt &#8212; I love that you say you haven&#8217;t learned to enjoy it yet &#8212; that&#8217;s a great outlook.  I remember you liking Money Shot by Christa Faust and I wonder if you would like Val McDirmid&#8217;s books.  Just a thought really.</p>
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		<title>By: Matt Cheney</title>
		<link>http://www.mysterybookspot.com/brianlindenmuth/?p=1117#comment-772</link>
		<dc:creator>Matt Cheney</dc:creator>
		<pubDate>Thu, 13 Aug 2009 22:32:16 +0000</pubDate>
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		<description>I've got fairly eclectic tastes but have not yet learned to enjoy much mystery/crime fiction, though I keep trying because I enjoy many mystery/crime movies and TV shows and have a fairly dark view of life, the universe, and everything.  But I've completely failed to get the attraction of, for instance, Hammett's &lt;i&gt;Red Harvest&lt;/i&gt;, Ross MacDonald's &lt;i&gt;The Chill&lt;/i&gt;, various Chandler, P.D. James, more recent stuff such as Michael Connelly, more "literary" crime novels such as Kate Atkinson's &lt;i&gt;Case Histories&lt;/i&gt;.  No luck.  Recently, I tried Derek Raymond on Jeff VanderMeer's recommendation, and actually loathed it all for multiple reasons (there's a kind of sentimentalism about brutality and vigilantism in such books that strikes me as pathetic and immorally simplifying in its representation of the world, but there's also something to be said for a book making you hate it so much you end up feeling passionately about it).

So the few mystery/crime novels that have really worked for me may, in fact, be good ones to use as gateway books for less ornery readers than I -- and those would be Patricia Highsmith's Ripley novels, Jim Thompson's &lt;i&gt;The Getaway&lt;/i&gt; and &lt;i&gt;Pop. 1280&lt;/i&gt; (tho preferred the movie version, &lt;i&gt;Coup de Torchon&lt;/i&gt;, an astounding film) (&lt;b&gt;not&lt;/b&gt; &lt;i&gt;The Killer Inside Me&lt;/i&gt; -- I started with that and almost didn't pick up another Thompson novel, because it had been touted to me as his best and I just thought it was silly and obvious), Thomas Harris's &lt;i&gt;Red Dragon&lt;/i&gt; (one of the great novels of the 20th century, methinks), and &lt;i&gt;The Far Cry&lt;/i&gt; by Fredric Brown.

Before reading &lt;i&gt;The Far Cry&lt;/i&gt; (on Brian Evenson's recommendation, I think), I had only read Brown's science fiction.  I enjoyed the SF, but thought most of it, including &lt;i&gt;What Mad Universe&lt;/i&gt;, one of his most famous novels, was more clever than compelling.  Cleverness and the apparent desire to tie up all loose ends ruins the last section of &lt;i&gt;The Far Cry&lt;/i&gt;, but up until then it is a deeply unsettling and impressive novel, brilliantly paced and sometimes beautifully written.

As for the other side -- not-specifically-crime/mystery for the crime/mystery reader -- I'm probably the worst person to judge, but that's never stopped me before, so I would suggest Paul Bowles's &lt;i&gt;The Delicate Prey&lt;/i&gt;, an extraordinary collection of short stories.</description>
		<content:encoded><![CDATA[<p>I&#8217;ve got fairly eclectic tastes but have not yet learned to enjoy much mystery/crime fiction, though I keep trying because I enjoy many mystery/crime movies and TV shows and have a fairly dark view of life, the universe, and everything.  But I&#8217;ve completely failed to get the attraction of, for instance, Hammett&#8217;s <i>Red Harvest</i>, Ross MacDonald&#8217;s <i>The Chill</i>, various Chandler, P.D. James, more recent stuff such as Michael Connelly, more &#8220;literary&#8221; crime novels such as Kate Atkinson&#8217;s <i>Case Histories</i>.  No luck.  Recently, I tried Derek Raymond on Jeff VanderMeer&#8217;s recommendation, and actually loathed it all for multiple reasons (there&#8217;s a kind of sentimentalism about brutality and vigilantism in such books that strikes me as pathetic and immorally simplifying in its representation of the world, but there&#8217;s also something to be said for a book making you hate it so much you end up feeling passionately about it).</p>
<p>So the few mystery/crime novels that have really worked for me may, in fact, be good ones to use as gateway books for less ornery readers than I &#8212; and those would be Patricia Highsmith&#8217;s Ripley novels, Jim Thompson&#8217;s <i>The Getaway</i> and <i>Pop. 1280</i> (tho preferred the movie version, <i>Coup de Torchon</i>, an astounding film) (<b>not</b> <i>The Killer Inside Me</i> &#8212; I started with that and almost didn&#8217;t pick up another Thompson novel, because it had been touted to me as his best and I just thought it was silly and obvious), Thomas Harris&#8217;s <i>Red Dragon</i> (one of the great novels of the 20th century, methinks), and <i>The Far Cry</i> by Fredric Brown.</p>
<p>Before reading <i>The Far Cry</i> (on Brian Evenson&#8217;s recommendation, I think), I had only read Brown&#8217;s science fiction.  I enjoyed the SF, but thought most of it, including <i>What Mad Universe</i>, one of his most famous novels, was more clever than compelling.  Cleverness and the apparent desire to tie up all loose ends ruins the last section of <i>The Far Cry</i>, but up until then it is a deeply unsettling and impressive novel, brilliantly paced and sometimes beautifully written.</p>
<p>As for the other side &#8212; not-specifically-crime/mystery for the crime/mystery reader &#8212; I&#8217;m probably the worst person to judge, but that&#8217;s never stopped me before, so I would suggest Paul Bowles&#8217;s <i>The Delicate Prey</i>, an extraordinary collection of short stories.</p>
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		<title>By: chimp with pencil</title>
		<link>http://www.mysterybookspot.com/brianlindenmuth/?p=1117#comment-770</link>
		<dc:creator>chimp with pencil</dc:creator>
		<pubDate>Thu, 13 Aug 2009 19:14:16 +0000</pubDate>
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		<description>Crime fiction for those who don't read it?
-- any of the later Robert Crais.  I liked the early stuff, too, but his writing improved a great deal as time passed.
-- maybe some John D. MacDonald
-- Jack Higgins = politics, intrigue, Zippo lighters, gunplay, standing in the rain by a Judas gate with your hand on a Walther wondering what the hell it all means
-- Dick Francis for a gentler introduction to crime
-- Declan Hughes for a Quentin Tarantino style look at The Life in Dublin

For the crime reader who wants to branch out:
-- Bleak House = Dickens threw everything in here, including plenty of mystery, murder, and a cool detective
-- Edna Buchanan's non fiction coverage of crime
-- William Gibson's Spook Country, and Pattern Recognition.  Transcends labels.
-- Alexander Dumas
-- Edgar Allan Poe
-- H.P. Lovecraft</description>
		<content:encoded><![CDATA[<p>Crime fiction for those who don&#8217;t read it?<br />
&#8211; any of the later Robert Crais.  I liked the early stuff, too, but his writing improved a great deal as time passed.<br />
&#8211; maybe some John D. MacDonald<br />
&#8211; Jack Higgins = politics, intrigue, Zippo lighters, gunplay, standing in the rain by a Judas gate with your hand on a Walther wondering what the hell it all means<br />
&#8211; Dick Francis for a gentler introduction to crime<br />
&#8211; Declan Hughes for a Quentin Tarantino style look at The Life in Dublin</p>
<p>For the crime reader who wants to branch out:<br />
&#8211; Bleak House = Dickens threw everything in here, including plenty of mystery, murder, and a cool detective<br />
&#8211; Edna Buchanan&#8217;s non fiction coverage of crime<br />
&#8211; William Gibson&#8217;s Spook Country, and Pattern Recognition.  Transcends labels.<br />
&#8211; Alexander Dumas<br />
&#8211; Edgar Allan Poe<br />
&#8211; H.P. Lovecraft</p>
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		<title>By: Christian Moody</title>
		<link>http://www.mysterybookspot.com/brianlindenmuth/?p=1117#comment-769</link>
		<dc:creator>Christian Moody</dc:creator>
		<pubDate>Thu, 13 Aug 2009 17:05:44 +0000</pubDate>
		<guid isPermaLink="false">http://www.mysterybookspot.com/brianlindenmuth/?p=1117#comment-769</guid>
		<description>The Intuitionist by Colson Whitehead
The Wind-up Bird Chronicle by Haruki Murakami</description>
		<content:encoded><![CDATA[<p>The Intuitionist by Colson Whitehead<br />
The Wind-up Bird Chronicle by Haruki Murakami</p>
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		<title>By: Woodge</title>
		<link>http://www.mysterybookspot.com/brianlindenmuth/?p=1117#comment-767</link>
		<dc:creator>Woodge</dc:creator>
		<pubDate>Thu, 13 Aug 2009 13:52:47 +0000</pubDate>
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		<description>mystery/crime books for a friend who doesn’t read “genre”:

Hostage ~ Robert Crais
Eye Of The Needle ~ Ken Follett
The Silence Of The Lambs ~ Thomas Harris
Smilla's Sense of Snow ~ Peter Hoeg
Freaky Deaky ~ Elmore Leonard
Killshot ~ Elmore Leonard

“non-genre” books for a mystery/crime fic reader:

London Fields ~ Martin Amis
Leviathan ~ Paul Auster
Talk Talk ~ T C Boyle
A Trip to the Stars ~ Nicholas Christopher
The Name Of The Rose ~ Umberto Eco
The Curious Incident of the Dog in the Night-time ~ Mark Haddon
The Thanatos Syndrome ~ Walker Percy 
The Club Dumas ~ Arturo Pérez-Reverte
Green River Rising ~ Tim Willocks</description>
		<content:encoded><![CDATA[<p>mystery/crime books for a friend who doesn’t read “genre”:</p>
<p>Hostage ~ Robert Crais<br />
Eye Of The Needle ~ Ken Follett<br />
The Silence Of The Lambs ~ Thomas Harris<br />
Smilla&#8217;s Sense of Snow ~ Peter Hoeg<br />
Freaky Deaky ~ Elmore Leonard<br />
Killshot ~ Elmore Leonard</p>
<p>“non-genre” books for a mystery/crime fic reader:</p>
<p>London Fields ~ Martin Amis<br />
Leviathan ~ Paul Auster<br />
Talk Talk ~ T C Boyle<br />
A Trip to the Stars ~ Nicholas Christopher<br />
The Name Of The Rose ~ Umberto Eco<br />
The Curious Incident of the Dog in the Night-time ~ Mark Haddon<br />
The Thanatos Syndrome ~ Walker Percy<br />
The Club Dumas ~ Arturo Pérez-Reverte<br />
Green River Rising ~ Tim Willocks</p>
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		<title>By: Nick Mamatas</title>
		<link>http://www.mysterybookspot.com/brianlindenmuth/?p=1117#comment-766</link>
		<dc:creator>Nick Mamatas</dc:creator>
		<pubDate>Thu, 13 Aug 2009 13:48:54 +0000</pubDate>
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		<description>DOPE by Sara Gran, definitely.</description>
		<content:encoded><![CDATA[<p>DOPE by Sara Gran, definitely.</p>
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